![death by audio overload death by audio overload](https://effektpedaler.dk/wp-content/uploads/dba-absolute-destruction.jpg)
I love the glassiness of the Small Clone, but for guitar I like the full-bodiness of the CE-2. That goes into the CE-2, one of my favorite choruses. I use the Super Shifter for a few effects, usually a dive bomb or a harmonizer. Volume pedal with a strobe tuner, nothing much to see there. This lets me fill out the lower register without needing to run a whole separate amp rig, although I am considering that.īoard two has mostly modulation and time effects. In one of my groups I play an 8 string and I sometimes cover the bass range as my bassist also plays lead on some songs. At the end, I have the Mantic Thug which is basically just a bass boost. I also pair other pedals with it quite often, so having all of their gains lower than I might otherwise have them means they play a bit nicer with each other. The Big Muff is set up to be big and wooly, but with a relatively low gain position as I find the compression at this level really lets the low end come through, as well as reducing the effect of the scooped mids this pedal has. This let’s me have some dynamics not just with gain level but also with tonality. The rest of the pedals on the top level are basically set to have a low gain option that’s bright with mids (OCD), as well as one that’s darker (SFT), and then a medium/high gain option with the same characteristics (Elements and Rat respectively). CS-3 is for evening out my fingerpicking. The Tone Mosaique is an envelope-filter-controlled bit crusher that I mainly use for noise, so I have it here in the chain so I can blow it up with a fuzz. Octavio and Fuzz War Overload are first as I like to use them mainly pushing other pedals.
![death by audio overload death by audio overload](https://images.reverb.com/image/upload/s--V8ewOaLE--/f_auto,t_large/v1418084777/oaldgxzekgalaz6lnon5.jpg)
It’s a lot, but hopefully I can go over it without being too tedious!īoard one is where I have most of my gain. I mainly play tele’s and an 8 string, and all this goes into a 2nd gen Model T with a 70’s Sunn 4x12, usually paired with a solid state Sunn or Acoustic head through a 6x10. > Sonic Research Turbo Tuner ST-200 > BossPS-5 > Boss CE-2 > Modded Boss Bass Chorus > Behringer Vintage Phaser > Boss DD-7 > Boss HM-2 > Boss DD-20 > Caroline Meteore (not pictured: two Line 6 DL4’s I typically have at the end for looping)ĭeath By Audio Echo Master >send> Boss ODB-3 > EHX Small Clone >return> Scientist The Elements (#4) > ‘83 Big Box Proco Rat v2 > Russian 6 screw EHX Big Muff > Mantic Thugĭunlop VP Jr. Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery).Dunlop Octavio > Death By Audio The Fuzz War Overload > Last Gasp Art Laboratories Tone Mosaique > Boss CS-3 > Fulltone OCD v1.7 > Catalinbred SFT v1 > Dr.
![death by audio overload death by audio overload](https://hurtowniamuzyczna.pl/data/offer/339/33959_1200x1200.jpg)
Think of it as a psychotic compressor, or maybe more accurately the sound your amp would make if you set fire to it.ĭimensions: 4.95" x 2.61" x 2.34" (including hardware) Screaming octaves, thick fuzz, and the sound of your guitar reaching back from the depths of destruction are at your fingertips. Lower one or the other for smoother attack and release. Blow it out even harder and faster by slamming Gain and Overload opposite one another. The further the Overload control is set to the left, the faster the effect slips into absolute destruction. You choose, to your liking, how much to absolutely destroy your sound. Its Gain and Overload sliders interact to create a wide range of unique sounds in various positions. Harnesses a power amplifier IC to generate its insane sound. Horizontal sliders have been recessed to protect them from bending or any accidental movement while playing. Gain: Sliding this control to the right increases gain and distortion. As the control slides to the left it pulverizes the sound more rapidly. When turned all the way up, the pedal will not overload. Overload: Sets the ceiling at which the pedal overloads. Master Volume: Controls the output volume of the effect. Push it to the maximum and your sound will duck completely into the void before it returns, coming back to life with a relentless vengeance. Push it further and starve the circuit until your signal eats itself. You can also push the OVERLOAD slider into blooming, octave nastiness. Want a thick, gnarly fuzz sound? Sure, you can do that, and it'll sound really, really good. Showing little-to-no respect for what instruments normally sound like, or even what people want them to sound like, we pushed this thing until it sounded fully unhinged.